miércoles, 6 de mayo de 2009
lunes, 4 de mayo de 2009
FLYING AWAY WITH HER
Flowers reborn on a sunny wednesday afternoon.
Cherry blossom beauties under the blue sky.
And those roses, carmine red roses.
Deep in my heart they remain.
And, above all, that beloved Silver Screen,
a faithful lover called Cinema.
Reminding me of its old fashioned charm.
The Technicolor, the Vista-Vision,
the old Paramount studio lot.
The non diagestic sound, the violins.
All squeezed into one last image.
A Bird and a Lady.
All of it, now, orchestrating the ballet of my heartbeats.
A last kiss and the red curtains close.
THE END
Roll credits.
Flowers reborn on a sunny wednesday afternoon.
Cherry blossom beauties under the blue sky.
And those roses, carmine red roses.
Deep in my heart they remain.
And, above all, that beloved Silver Screen,
a faithful lover called Cinema.
Reminding me of its old fashioned charm.
The Technicolor, the Vista-Vision,
the old Paramount studio lot.
The non diagestic sound, the violins.
All squeezed into one last image.
A Bird and a Lady.
All of it, now, orchestrating the ballet of my heartbeats.
A last kiss and the red curtains close.
THE END
Roll credits.
viernes, 1 de mayo de 2009
YELLE A TOUT POUR PLAIRE
Click on picture above to see the video
Matin de printemps.
Vent du Sud
Chaleur controlée.
Une mélodie ritmée et ritmique.
C'est "à cause des garçons",
Dit-elle.
Victimes de la Mode.
Victimes de l'Amour.
Victimes de la Dance.
Click on picture above to see the video
Matin de printemps.
Vent du Sud
Chaleur controlée.
Une mélodie ritmée et ritmique.
C'est "à cause des garçons",
Dit-elle.
Victimes de la Mode.
Victimes de l'Amour.
Victimes de la Dance.
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